Panasonic Mirrorless Cameras>Lumix GH5 II + 12-60mm f/3.5-5.6 Lens
$316.41
Key Features:
- 20.3MP Live MOS Sensor with AR Coating
- DCI/UHD 4K 60p Video, 10-Bit Internal
- Pre-Installed V-Log L, No Crop 4K Video
- 6.5-Stop 5-Axis Dual I.S. 2
- 0.76x 3.68m-Dot OLED Viewfinder
- 3.0″ 1.84m-Dot Free-Angle Touchscreen
- 225-Area DFD AF, Advanced Subject Detect
- Livestream Video via Wi-Fi
- 6K and 4K Photo Modes
- Includes Lumix 12-60mm F/3.5-5.6 ASPH Power O.I.S Lens
Professional-Quality Imaging Platform
The Panasonic LUMIX GH5 II, with its improved video features and sleek design, paired with the Lumix G X Vario 12-60mm F/3.5-5.6 Lens, offers a professional-quality imaging platform for mobile content creators who require versatile video and stills capabilities in one compact camera.
The Panasonic GH5 II aims to be a powerful and feature-rich camera for advanced hybrid photo/video shooters, individual video creators, live streaming creators, vloggers, YouTubers, or small production teams looking for a high-powered, highly versatile hybrid camera with a strong emphasis on video capabilities.
The camera features a 20.3-megapixel Digital Live MOS Sensor with a new Anti-Reflective (AR) coating for maximum lens performance, as well as an updated image processor powered by the latest high-speed Venus Engine. The advanced Body I.S (Image Stabiliser) and the latest algorithm developed for the S1H allow the GH5M2 to shoot at up to 6.5 stops slower shutter speeds for impressively stable handheld shooting and video panning – a 1.5 stop improvement over the GH5.
With the GH5 II industry-leading live streaming capabilities, modern content creators can benefit from the GH line’s acclaimed image quality and usability while also being able to live stream wherever and whenever they want.
Complementing the small form factor of Camera, the Panasonic Lumix G Vario 12-60 mm f/3.5-5.6 ASPH Power OIS lens is engineered as a compact, lightweight lens packed with powerful features. Weighing a mere 0.210kg, the lens is ideal for travel enthusiasts and content creators on the move.
| PANASONIC GH5 II | Â |
| Â | Â |
| IMAGING | Â |
| Â | Â |
| Lens Mount | Micro Four Thirds |
| Sensor Resolution | Actual: 21.77 Megapixel |
| Â | Effective: 20.33 Megapixel |
| Image Sensor | 17.3 x 13 mm (Four Thirds) MOS |
| Crop Factor | 2x |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Capture Type | Stills & Video |
| Â | Â |
| EXPOSURE CONTROL | Â |
| Â | Â |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Electronic Shutter |
| Â | 1/16000 to 60Â Seconds |
| Â | Up to 60Â Seconds in Bulb Mode |
| Â | Electronic Front Curtain Shutter |
| Â | 1/2000 to 60Â Seconds |
| Â | Up to 30Â Minutes in Bulb Mode |
| Bulb/Time Mode | Bulb Mode |
| ISO Sensitivity | Photo |
| Â | 200 to 25,600 in Auto Mode (Extended: 100 to 25,600) |
| Â | Video |
| Â | 200 to 12,800 in Auto Mode (Extended: 100 to 12,800) |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | Presets:Â Auto, Cloudy, Colour Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting | Up to 12 fps at 20.3 MP |
| Â | Up to 30 fps at 18 MP |
| Â | Up to 60 fps at 8 MP |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Â | Â |
| STILL IMAGE CAPTURE | Â |
| Â | Â |
| Image Sizes | 4:3 Raw |
| Â | 5184 x 3888 |
| Â | 4:3 JPEG |
| Â | 5184 x 3888 |
| Â | 3712 x 2784 |
| Â | 2624 x 1968 |
| Â | 3:2 JPEG |
| Â | 5184 x 3456 |
| Â | 3712 x 2480 |
| Â | 2624 x 1752 |
| Â | 16:9 JPEG |
| Â | 5184 x 2920 |
| Â | 3840 x 2160 |
| Â | 1920 x 1080 |
| Â | 1:1 JPEG |
| Â | 3888 x 3888 |
| Â | 2784 x 2784 |
| Â | 1968 x 1968 |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Â | Â |
| VIDEO CAPTURE | Â |
| Â | Â |
| Internal Recording Modes | H.265/MOV 4:2:0 10-Bit |
| Â | 4992 x 3774 at 23.98/24.00/25/29.97 fps [200 Mb/s] |
| Â | 3328 x 2496 at 50 fps [200 Mb/s] |
| Â | DCI 4K (4096 x 2160) at 50 fps [200 Mb/s] |
| Â | UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s] |
| Â | H.264/MOV 4:2:2 10-Bit |
| Â | DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [150 to 400 Mb/s] |
| Â | UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] |
| Â | 3328 x 2496 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] |
| Â | 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [100 to 200 Mb/s] |
| Â | H.264/MOV 4:2:0 8-Bit |
| Â | 3328 x 2496 at 23.98/24.00/29.97/50/59.94 fps [100 to 150 Mb/s] |
| Â | DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 150 Mb/s] |
| Â | UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 150 Mb/s] |
| Â | 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [100 Mb/s] |
| Â | H.265/MP4 4:2:0 10-Bit |
| Â | UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s] |
| Â | H.264/MP4 4:2:0 8-Bit |
| Â | UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s] |
| Â | 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [20 to 28 Mb/s] |
| External Recording Modes | 4:2:2 10-Bit via HDMI |
| Â | DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | 1920 x 1080i at 25/59.94 fps |
| Â | 4:2:2 8-Bit via HDMI |
| Â | 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | 3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps |
| Â | 1920 x 1080i at 23.98/24.00/25/29.97/50/59.94 fps |
| Fast-/Slow-Motion Support | Yes |
| Broadcast Output | NTSC/PAL |
| IP Streaming | RTMP |
| Â | 1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (3.0 to 16.00 Mb/s) |
| Â | RTMPS |
| Â | 1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (3.0 to 8.0 Mb/s) |
| Built-In Microphone Type | Stereo |
| Audio Recording | AAC Audio |
| Â | LPCM Audio |
| Â | Â |
| INTERFACE | Â |
| Â | Â |
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended] |
| Video I/O | 1 x HDMI Output |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output |
|  | 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1 x USB-C Input/Output |
| Other I/O | 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) |
|  | 1 x 2.5 mm Sub-Mini Control Input |
| Wireless | Wi-Fi, Bluetooth |
| Mobile App Compatible | Yes |
| Â | Â |
| MONITOR | Â |
| Â | Â |
| Display Size | 3″ |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
| Â | Â |
| VIEWFINDER | Â |
| Â | Â |
| Type | Built-In Electronic (OLED) |
| Resolution | 3,680,000 Dot |
| Eye Point | 21 mm |
| Coverage | 1 |
| Magnification | Approx. 76x |
| Diopter Adjustment | -4 to +3 |
| Â | Â |
| FOCUS | Â |
| Â | Â |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Automatic, Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF |
| Autofocus Points | Contrast Detection: 225 |
| Autofocus Sensitivity | -4 to +18 EV |
| Â | Â |
| FLASH | Â |
| Â | Â |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | PC Terminal |
| Â | Â |
| ENVIRONMENTAL | Â |
| Â | Â |
| Operating Temperature | 14 to 104°F / -10 to 40°C |
| Operating Humidity | 10 to 80% |
| Â | Â |
| GENERAL | Â |
| Â | Â |
| Battery Type | 1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 400 Shots) |
| Shoe Mount | 1 x Hot Shoe |
| Tripod Mounting Thread | 1 x 1/4″-20 Female (Bottom) |
| Accessory Mounting Thread | 1 x |
| Material of Construction | Magnesium Alloy |
| Dimensions (W x H x D) | 13.85 x 9.81 x 8.74Â cm |
| Weight | 0.727 kg (With Battery, Recording Media) |
| Â | Â |
| PANASONIC LUMIX G VARIO 12-60mm F/3.5-5.6 | |
| Â | Â |
| Focal Length | 12 to 60mm (35mm Equivalent: 24 to 120mm) |
| Maximum Aperture | f/3.5 to 5.6 |
| Minimum Aperture | f/22 |
| Lens Mount | Micro Four Thirds |
| Lens Format Coverage | Micro Four Thirds |
| Angle of View | 84.05° to 20.44° |
| Minimum Focus Distance | 7.87″ / 20Â cm |
| Maximum Magnification | 0.27x |
| Optical Design | 11 Elements in 9 Groups |
| Diaphragm Blades | 7, Rounded |
| Focus Type | Autofocus |
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